mad in pursuit: digital rubber stamps

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Photoshop Tutorial: Using custom paintbrushes for digital rubber stamps

example of digital rubber stamp...

Stamping goes digital

I have avoided rubber stamping because, knowing me, I'd have to own all of them (with a drawer full of stamp pads) in order to feel control over the craft. But I love creating collages and fantasy mail in Photoshop. Having reusable design elements makes this more fun.

The Paintbrush Tool is what you use to create your own stamps. In this tutorial, we'll convert a well-aged storage tag into a stamp.

Like physical stamps, virtual stamps are monochrome tools, so pick a subject that looks good in grayscale.

scan of original tag on contrasting color

Scan

Scan your subject. Because you will need to extract it from its background, scanning against a contrasting color (like my purple paper) will make your job much easier. Try to make your completed scan result in an image as large as the biggest likely stamp you'll need.

Save the file or Open it in Photoshop.

Preparation

Crop your image as tightly as possible (Image>Crop). Not strictly necessary, but keeps things neat and the file small.

In the Layers Palette, drag your Background to New Layer. (Careful practice: Rename Background to Original, and, after making a working copy, lock it and Save, in case all hell breaks loose in your experimentation.) (See Layers Palette screen grab below.)

Rename your copied layer Tag.

Between the Original and Tag, add a new layer. From the Swatches Palette, pick a really garish foreground color (different from your scan). I chose a red. Fill (ALT-BKSP) the new layer. This will help you see if you've adequately separated your subject from the background. Name the layer to keep you compulsively organized.

Separation

There are many ways to separate a subject from its background, all involving degrees of skill in selection. The Magic Wand Tool or the Filter>Extract command can be helpful here.

Because I scanned the tag against a purple piece of paper, I can use the Select>Color Range command.

First, with the Eye Dropper Tool (CTL-I), touch the background to make it your foreground color.

Then, Select>Color Range opens a dialogue. Test your selection in different Preview modes. If you've selected a good color you can accept the defaults. Otherwise, tweak the Fuzziness parameter till the selection preview looks how you want it to. Press OK.

On the screen you'll see the background color selected. Press Delete. The purple should disappear and the Red layer should show through.

Cautious Alternative: Use Select>Inverse to change the selection from the purple background to the tag itself.  Layer>Layer-Via-Copy (CTL-J) to create a new layer with the isolated tag only. Turn off the Tag layer eyeball to see your results. If you're satisfied, then you can delete the Tag layer and rename this layer Tag.

Tweak the image

Option: If you prefer to work with the monochrome tonal range of the final "stamp," with the Tag layer selected, use Image>Adjustments>Hue/Saturation and move the Saturation slider to 0.

With Tag layer selected, use Image>Adjustments>Levels to sharpen the contrast or change the light/dark balance. Keeping a full tonal range preserves the feeling of a physical rubber stamp.

(If you are interested in getting a strictly "opaque" (solid color) stamp, use Image>Adjustments>Threshold and play with the slider to get the desired black and white image. Actually, this becomes more like a "sticker" than a stamp.)

Cautious alternative: Use an adjustment layer on top of your Tag layer. When you're satisfied, you can leave it as it is or Merge it down into Tag (CTL-E).

Make the digital stamp

Make only your Tag layer (and desired adjustment layers) visible. (That is, turn off the eyeball on the other layers so you have a transparent [checkerboard] background.)

Make your digital stamp with Edit>Define-Paintbrush-Preset. In the dialogue box, name your brush.

Use your digital stamp

Open a new document.

Select the Paintbrush Tool. Your new brush will appear at the bottom of your current set of paintbrushes. Select it and use the size slider to adjust the size as desired.

From the Swatch Palette, pick a foreground color.

Click on your document. Voilá -- your page is stamped. (Don't drag or your brush will smear across your doc.)

Change the angle of the stamp by using the little compass under Brush Palette>Brush Tip Shape.

You can use Edit>Preset-Manager to create and edit sets of your digital stamps.

QUICKIE

Oh, to hell with all these steps!

I see an oblong stamp on an 1887 postcard.

Select it with the Marquee Tool.

Edit>Define-Paintbrush.

Test it out.  Cool! Sometimes it suits your purposes just fine. (But it's better if you can get the background to drop out.)

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